One or more times each month, Steve Aimone presents an analysis and discussion of a visual composition (or a pairing of compositions). Here, he discusses the purposes of the design, the processes the artist used to generate the design, the principles of arrangement that hold together the composition, and possible ways to strengthen the piece (when applicable). It’s the same kind of thoughtful insight he offered in his book, furnishes in his workshops, and offers in his Art Coaching and Critique services. Learn how to SUBSCRIBE to this online event.
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LATEST CRITIQUE |
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#12 Tommye McLure Scanlin, Tree Fragments 2 Tapestry (wool, cotton, and wood), 12 x 38 inches, 2006 |
| ARCHIVED CRITIQUES |
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#11 Mixed media, 21 x 22 inches, 2005 |
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#10 Paper collage with charcoal on board, 26 x 38 inches, 1962
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#9 Elise Winters, Con Brio Necklace and Floating Wreath Necklace Polymer clay with 14K gold and mica, 24 and 32 inches long respectively, 2004 |
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#8 Color Etching, 12 x 18 inches, 2002
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#7 Fabric (cut clothing), dimensions variable, 2003
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#6 Graphite and conte crayon on paper, h: 17.2 x w: 18.5 in / h: 43.7 x w: 47 cm, 1992
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#5 Debora Muhl, Untitled #1161, Blue Spiral #1175, and Metamorphose #1189 Maine sweet grass
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#4 oil on canvas mounted on masonite 10 7/8" x 10 1/2" 1962
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#3 waxed linen and glass beads 6 3/4"H x 9 3/4"W x 6"D 2003 |
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#2 Renie
Breskin Adams,
Parental Concern 8 x 5 1/2 inches
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#1 John
Whipple,
Mona c. 2004 |
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Erin
Jones, Recurrance approx. 7 x 13 feet 2003 |
